Tuesday, 29 October 2013

Thriller conventions


Narrative

·         Usually not a lot of dialogue

·         Only tends to have the main character/characters in it

·         Often in chronological order

·         Often half way through an event happening- making the audience ask question


Camera work

·         Establishing shot- show location

·         Mid shots- so the character are introduced

·         Close ups- disorientation/ claustrophobia

·         Composition-Key props

·         Framing- creates suspense

·         High angle/low angle shots- to show power and statues

·         1st person- empathy

Editing

·         Duel narrative-  shows complex narrative and creates tension- as story converges

·         Straight cut editing- pace and tension

·         Flashback-  key moments, connections

Thriller opening

·         Drama and tension

·         Use of music

·         Titles-  name of film, actors, director, company ideas

·         Something gripping but confusing

·         One significant event

·         Create atmosphere

Sound

·         Use ambient sounds- music/ noises fade in/out- creates atmosphere

·         Voice over to create background story

·         Avoid dialogue


Mise-en-scene

·         Setting- realistic/isolated

·         Costume- realism

·         Actors- males are often protagonists/ antagonists and women – victim?

·         Props- victims

·         Lighting- low key, shadows

Sub- genres

·         Action

·         Crime

·         Psychological

·         Conspiracy

·         Dystopian

·         Medical

·         Noir

·         Gangster

·         Religious

Analysis stills from the opening of ‘No Country For Old Men’


 
This is a long shot showing a police sheriff arresting a man and placing him in the back of his car.  It the first shot the audience see of any people, suggesting they must be important. This shot instantly has the audience asking question for example what crime has been committed? This has been done because it gets the audience interested in what going on and makes them want to watch the rest of this film to get the answers to their question. It is also very typical for thriller openings create mystery from the first couple of shots. The two characters in this shot have been made to clearly represent two different types of people. The sheriff is wearing a typical uniform for his job and it’s very smart and clean. This show the audience the sheriff takes his job seriously and he is a professional. Whereas, the other man in this shot is wearing very dark clothing. This suggests to the audience that he is bad and mysterious. Also what interesting about the man who has been arrested is that he doesn’t seem fazed and he isn’t even trying to struggle. Suggesting that he has been arrested before meaning he has committed crimes before. The setting of this shot is in the middle of desert and in the background there is a road which seems to lead nowhere.  Showing the audience that this place isn’t very well populated and makes them think, if something went wrong, who would sort it out (making as perfect place to commit a crime).

 

This close up showing what looks like some kind gas tank. This shot has be used to create more mystery and confusion for the audience. It does this because we don’t know exactly what it is, if it’s the reason why the man has been arrested or why someone would be in possession of it. Also this shot suggest to the audience that it is a key prop for the film which also suggest that person who owns it can’t be ‘normal’.


After being arrested, the man strangles the sheriff with his handcuffs, showing the audience a bird’s eye view shot of what happening.  This is the first shot the audience get to see the arrest man’s face properly, epimerising the mystery of him. The face he is pulling is looks like he is determined to kill that man. This tells the audience that he must be a psychopath to be able to commit this crime and suggest that this isn’t the first time he has killed someone. Also the face he is pulling looks creepy and haunting, making the audience fear him.  The sheriff who is being strangled looks distressed and struggling to fight back, this makes the audience have sympathy for him as they know he going to be brutally murdered.


This is another bird’s eye view shot showing the killers wrists after killing the sheriff.  It show the audience how much strength the killer had to have to strangle the sheriff and he doesn’t seem in any pain or distress by his injuries. Showing the audience wants again that he must be some kind of psychopath to go through that pain to kill someone. Also it makes the audience think about will anything stop him when killing someone?
This is another bird’s eye view shot showing the dead’s sheriffs legs with skid makes around him, showing the audience how much of a struggles his death was, making them sympathise with the sheriff. Also it again shows how much strength and determination the killer has to commit this crime.

 

Analysis stills from the opening of 'Shutter Island'

 
 

This is a extreme long shot showing a boat coming out of the fog. This instantly create a lot of mystery for the audience, as they  don't know where boat going, who is on the boat or why the boat is important. This is very common for an opening of a thriller as it makes the audience interested in what's going on straight away.  The lighting  for this shot if very dark, with no sun light just fog. This has been done to create the mood that not happy situation and suggest that where ever the boat is going it's a gloom, miserable place. the boat used in this shot is very important because is not a normal looking boat, it's not the type of boat that lots of people would get on nor does it look like a fishing boat.  This suggest that not a lot people use this boat and it is in fact used for a very spefice job, which the audience don't know yet- adding even more mystery to the shot.  Also the boat is gray in colour which again suggest that this is a happy place and it very dull and gloom.  There is some none-dieagetic sound playing the background of a very high pitched musical instrument, making the audience start to feel tension.
 


This is the next key shot in this scene, it is a long shot showing the main character coming out of the bathroom on the boat after being sick. This the first shot the audience see of the main character from head to toe. He is a very smartly dressed man and with the hat and rain jacket it suggest to the audience that he is some type of dective and the reason he is on the boat is to go to a crime scene.  Also he looks out  of place, he has just been sick and looks to formal to be on that boat. This tell the audience that this isn't what the man usually do, suggesting that there has to be a huge reason for him to be there. The composition for this shot is has been done so the audience can see the chains, not just the main character. This show the audience  that boat he is on is properly a prison ship making the man look even more out of place and  adding to the mystery and tension of this scene.  Also it suggest that the place the man is going to is a prison, which must be dangerous if you have to travel there by boat.  

This is a medium shot showing the two main character on the boat talking about being US Marshalls partners and going to the Island . There are a lot of two shots of the Marshalls throughout the opening sequences showing the audience that there relationship is important.  Both men are dressed very stereotypical for US Marshalls suggesting that they take the job seriously and that they have been doing  for a long time. The lighting for this shot, much like the rest of the sequence is very dark and gloomy. Suggesting once again that it's not a nice place they are going to (which makes sense as it is a mental hospital)  and it is a very serious situation. In fact the weather  pathetic fallacy. The conveshion  they have allows the audience to get a better understanding on what is going on, they learn that they are going to a metal hospital/prison and that the main character has be doing this for a lot long than the other man. This has been done so the audience can understand the story and character better, meaning that they will enjoy watching the film more.


This is an extreme long shot showing the Island that the two Marshalls are travelling to.  The island is very dark and gloom, like the other shots in the sense. It doesn't look very populated, in fact it almost looks desterdied suggesting that not a lot of people go to this island  and it not a normal place to live. This shot makes the audience  realise that only one way to get on the to the island and only one way to get off it- by boat. This adds to the tension because if something bad happened while at the Island it would be hard to escape. This short is a point of view shot, meaning the  character are seeing it as the audience does making the Island look over-powering and not inviting. While this shot is being shown there is some none-dieatige sound playing in the background of some low pitched musical instruments, this adds to the tension and suggest to the audience that bad is on that island.


 
This is a mid shot showing the Marshalls arriving on the island and being greeted by some guards. The fact that there are five guards, three who guns have guys with the Marshalls suggests that the island is a very dangerous place to be and that something serious is happening for the all to be there. The guards are all wearing a uniform and all look  very serious, showing the audience  that they are professionals in their job and  suggesting that this is the 'normal' on this island.  In the background of this shot we can see the boat that bought the Marshalls to the island  and a dock. There is no other boat on the dock which emprises the fact that there isn't a lot of people on this island and that there is only one way off the island which adds tension and creates creepy atmosphere.

Famous thriller movies from the past 50 years

 
   
Vertigo (1958)
 
 
North by Northwest (1958)
 


Psycho (1960)
 

Chinatown (1974)

 
Dog Day Afternoon (1975)


Scarface (1983)


The Silence of the Lambs (1991)
 

Pulp Fiction (1994)

Seven (1995)


The Game (1997)

 
The Departed (2006)

 
No Country for Old Men (2007)

 
The Dark Knight (2008)

 
Shutter Island (2010)

Storyboard of our Preliminary Task & The Exchange

 







Monday, 28 October 2013

Preliminary Task Evaluation


For our preliminary task we were asked to plan, film and edit a short sequence involving someone walking down a corridor, opening a door, entering a room and then having a conversation with another person. We could have any storyline we wanted as long as: we didn't break the  180°  rule; made sure the sequences had continuity and included match on action and shot reverse shot.

Camerawork
 
I think the camerawork for this task was good, however there are things I would improve.  We used a variety of shots, including high angled, low angled, mid shot, close ups and extreme close up, all of which fitted perfectly into what was happening in the scene and showed that as a group we understand the appropriate times to use the different shots. However, we didn't use any long shots or extreme long shots , so one of my improvements would be to include a long shot or extreme long shot to show more skill and make it more interesting for the audience to watch.

The composition and framing, I think, was done to a high standard as we always included everything needed for each shot and didn't have anything  unnecessary in them. Because of this, it is easy for the audience to understand the storyline  and stops them getting distracted by anything else.

 The steadiness  of each shot is our weakest area. For example the shot that goes from the feet of our main character to her face is very wobbly. This makes the sequence look less professional and it is noticeable to the audience. In fact when we did the feedback forms we scored lowest for 'holding the shot steady'. So the main improvement for camerawork is to make each shot more steady. We will do this by using the tripod more, spend more time filming each shot and plan more as to how we will film each shot.

Editing


I think our editing was very successful, with the shots  we had we were able to edit them to a high standard showing lots of different skills, with only a couple of improvements to make. We were able to follow the 180° rule as any filming done whilst  the characters were at the table was always filmed to the left and  we had shots that were shot reverse shot, the best example of this is when one character is talking/nodding her head the back of the other character's head can been seen in the corner of the shot. Not only this, but we had a good match on action and continuity a good example of this is when the main character comes through the door, the audience can see one shot of the door handle being pulled down and then the next shot is the character opening the door (with the same hand as the pervious shot) and walking into the room. I think our titles are appropriate for what is happening in this shot scene, as it is serious and has a professional look to it. On our feedback forms one of the weaknesses was that the credits were too  quick at the end so one of our improvements would to be make the credits last longer.

 During the editing we added some sounds to the opening shots, we did this to add effect and create a mood for the audience. I think it was effective as the sound was appropriate to  what was happening in the scene, it created an atmosphere for the audience and it allowed us to show more skills when editing. Another area of weakness was our transitions, we only had two in the sequence which were very basic and didn't show our skills as a group and in our feedback forms we were advised to improve it.  Therefore another improvement would be to spend more time in editing on transition and use transitions that work well with what is happening in the shots.

Lighting

When planning our preliminary task, we did no planning for  the lighting however when filming we realised this was a mistake as the lighting effected what could and couldn't be seen due to shadows. Also without planning the lighting it made the short scene look less professional as we were relying on natural lighting, which could have gone wrong if there was bad weather. All of which means another improvement for our group is to include lighting in our planning and consider what lighting we may need for certain shots.

Planning

The main thing I learnt from planning our preliminary task was the more detailed and organised you are about it, the easier it is when filming.  When creating the shot list and storyboard, I feel we should have spent more time thinking about how each of the shots  would look when they were put together and thought about how easy/hard it is to actually film these shots. As we were unable to do certain shots with the equipment we had (for example shot I) and we had to add some shots in which we hadn't planned to make the sequence have more continuity, for example the shot of the finger tapping on the table. So another improvement would be to spend more time on the storyboard and the shot list, so when filming our thriller opening we won't have the same issues as before.   

 Improvements

The following is a list of things, I feel as group we should improve on when we create a thriller opening:

·         Use a wider variety of shots- including long shots and an extreme long shots

·          Spend more time filming carefully and use the tripod more so the shot won't be as unbalanced

·         Ensure that the credits don't go so quick and the audience can understand what they say

·         When planning and editing think more about transitions and use them more

·          Spend more time on the storyboard and shot list, so we know exactly what shots need to be filmed and how we will film them 

·         Remember to include lighting requirements in our plans

Shot list for Preliminary Task


Shot
Location
Shot Description
Framing
Action
Dialogue
Actor
Props
Notes
A
Along the corridor by F11
Jess is walking along a corridor, away from the camera
Long shot
 
 
Jess
 
 
B
Along the corridor by F11
Jess feet walking along the corridor to the right
Close up
 
 
Jess
 
Camera need to be on the right side
C
Outside F11
Jess walk into shot; turn right to face the camera, the camera tracks up wards on to her face.  
Close up
Camera tracks upward from the feet to face.
 
Jess
Ring on finger.
 
D
Outside F11
Freeze on Jess face, with her looking nervous, so the title ‘The Exchange’ can appear on screen
Close up
 
 
Jess
 
Shot must be in black and white
E
Door of F11
Jess reaches for the  door handle with her left hand and pulls it down 
 A high angle close up
 
 
Jess
Ring on finger
 
F
In F11
Jess enters thought door  and door shut behind
Mid shot
 
 
Jess
 
The door handle must be down when shot starts
G
In F11
The shot is over the shoulder of a character we a yet to meet, we see Jess walk across the room and sit down a on a chair.
Over the shoulder mid shot
 
 
Jess and Mia
 
Shot need to be taken over the left shoulder

 

H
In F11
Close up of Mia’s lips, where she as ask Jess a question
Extreme close up
 
“Have you got the money?”
Mia
Red lipstick
 
I
In F11
Jess replies and get out the money, as the camera pans from Mia’s left shoulder to Mia’s right shoulder. 
Over the shoulder Mid shot
Camera pans from left to right
“Yes”
Jess and Mia
50p
Shots need to start on Mia’s Left shoulder
J
In F11
Jess moves her hand across the table, where Mia’s hand meets it and she takes the money.
Bird’s eye view shot
 
 
Jess and Mia
50p and rings
The ring must be on Jess’s left hand Mia’s right hand
K
In F11
Mia looks at her hand and relives the 50p
High angle shot
 
 
Mia
50p and ring
Shot must be taken from over Mia’s right shoulder
L
In F11
Mia though the bag on skittles across the jess, which she catches. 
Mid shot
 
 
Mia and Jess
Skittles
 Shot must be taken on the right
M
In F11
Jess catches the skittles.
Extreme close up
 
 
Jess
Skittles and ring
Jess must catch skittles with left hand
N
In F11
Over Mia’s right shoulder, jess ask Mia a question
Over the shoulder Mid shot
 
“Same time next week?”
Mia and Jess
 
Shot must be taken form over Mia’s right shoulder
O
In F11
Over Jess’s right shoulder Mia nods
Over the shoulder Mid shot
 
 
Mia and Jess
 
Shot must be taken from over Jess’s right shoulder